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New floetry songs free#
Los Angeles Convention Center will host a free fan expo Saturday and Sunday.Floetry cofounder Marsha Ambrosius and emcee/singer Amanda Diva have embarked on a new musical collaboration called the Floetry Remixed Tour, which hits the road on July 26.Marsha Ambrosius, a native of London, has been signed to Dr.
New floetry songs series#
Tickets: Single-day tickets to Staples Center series are $39.50 to $149.50, bundle packages are $99 to $349 Club Nokia tickets are $29.50 to $79.50 VIP packages, $1,095 to $4,395, include access to the award show and the Staples Center series. Blige, Trey Songz, Jennifer Hudson, Future and the Roots Who: Maxwell, Jill Scott, OutKast, Rick Ross, ASAP Rocky, Mary J. We were going back and forth and I said “I hope she cheats on you with a basketball player, hope that she Kim Kardashian her way up” and I thought, ‘Oh, that’s funny.’ So I continued to write it. I remember beatboxing and telling the fans what happened. You’re trying to be a good friend, and you really want to call all types of, but you can’t because your friend is still in their feelings. “It was really a freestyle on my UStream channel for a friend who got cheated on by his girl at the time. “Hope She Cheats on You (With a Basketball Player)” (“Late Nights & Early Mornings,” 2014) It’s crazy that it turned into what was one of Floetry’s most notable songs.”
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I went in the booth and what you hear is a freestyle. It’s actually a demo that I recorded for Ron Isley that he didn’t take, which I’m glad he didn’t because it changed my life and made my mark in the industry as a songwriter. “The one song that’s not a Floetry song at all. Before I know it, it’s a part of the demo for the Floetry album and then Michael Jackson hears it and wants to cut it and the rest is history.” When we played it for everybody, they went crazy. The night before we recorded ‘Say Yes’ together, so it was a kind of magical week.
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I loved what he did with Jill Scott’s album. Three years later I get to Philadelphia and start working with Andre Harris. It was that simple, that initial feeling. It was about a boy I had a crush on that worked at McDonald’s. “I first recorded ‘Butterflies’ in London in 1997. “Butterflies” (Michael Jackson, “Invincible,” 2001) I knew it was a great song in the studio. I was playing when I did it and Timbaland kept it. I sang that ‘You don’t have to say, what you did”, did the outro. I went into the booth, matched my vocal with Justin’s and did it a couple of times to get the feel, which is why barely anyone knows I’m on the song because we sound the same. I’m listening to what is this phenomenal song and at the time it didn’t have the hook all the way the outro. He said he had this song that had a couple of missing elements that he thought I could fine-tune. Timbaland sat me down to see where my head was. “They were recording in Philadelphia at the time. “Cry Me A River” (Justin Timberlake, “Justified,” 2002) I feel like I filled that void that she didn’t have on the album and that’s why it worked amongst the songs on there.”
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I was feeling that vibe, so I kind of just tuned into where she was in her life and she wanted something strong and empowering. It was very Stevie Wonder and Marvin Gaye. I can remember the zone she was in for that album. “Alicia is one of those few artists that I’ve worked with that could truly embody strength and empowerment. “Go Ahead” (Alicia Keys, “As I Am,” 2007) What was initially just a hook and a song turned into a whole Floetry moment.” yelling ‘Don’t be afraid, girl.’ I had to be this whole character. I could hear like three other chicks in the background. She’s singing and she’s heavyset and swinging her head and she’s got this press and curl. “Getting Late” (Floetry, “Floetic,” 2002) It just so happened music was my Plan B and I’m thankful that worked out. I didn’t know tearing ligaments would tear up my dreams and I’d have to find out what my Plan B was. I didn’t know basketball would never be in my life. ‘Run’ was about me fulfilling a dream I didn’t know existed. But it really started as an emotional-based, nonconventional song. What used to be the bridge is now the hook - we flipped a couple of things around. Once the music was together, I could only hear one word, ‘Run.’ It’s just about running away, or running towards. I got at the piano and … it started to write itself. And I remember everyone feeling that sense in the room. There had been a death in the family and it was one of those days where you either get up and get on with your life, or not. “I remember it being somewhat of a solemn day.